Soloists

Carol Wincenc, flute, a first prize winner of the Walter W. Naumburg Solo Flute Competition.  Ms. Wincenc has appeared with the St. Louis, Atlanta, Indianapolis, Houston and Seattle symphonies, among others, and the Mostly Mozart, Santa Fe, Spoleto, Caramoor and Marlboro music festivals.  She has appeared in all the major New York concert halls, including Lincoln Center's "Great Performers" Series for four consecutive seasons. Equally in demand abroad, Ms. Wincenc has given acclaimed performances with the London Symphony, the English and Stuttgart Chamber Orchestras and at numerous international music festivals. In great demand as a chamber musician, Ms. Wincenc has collaborated with the Guarneri, Emerson, Tokyo and Cleveland String Quartets and performed with such distinguished colleagues as Emanual Ax, Yo-Yo Ma, Jessye Norman and Bella Davidovich. As a champion of contemporary works, she has premiered and recorded Rouse's flute concerto with the Detroit Symphony and Henryk Gorecki's concerto cantata with the Chicago Symphony among many other works. Ms. Wincenc has recorded on the Musical Heritage, Decca, Nonesuch and Deutsche Grammophon labels. She is presently professor of flute at The Juilliard School of Music in New York City.   She has premiered works by many of today’s composers, including Lukas Foss.  His Renaissance Concerto for Flute and Orchestra was written for her.
 

Elizabeth Farnum, soprano  is a specialist in contemporary music and an active performer in many diverse musical styles.  Her performances have taken her throughout the United States, Europe and Japan. She has premiered pieces by prominent composers in many venues, including Alice Tully Hall, Merkin Hall, Barge Music, London's Institute for Contemporary Art and the Concertgebouw in Amsterdam, collaborating with such composers as Charles Wuorinen, John Harbison, Ricky Ian Gordon, Anthony Braxton, John Zorn, Anthony Newman and Toby Twining. She has been a guest soloist with many of New York's modern music ensembles, including the New York New Music Ensemble, Speculum Musicae, Sequitur, the Cygnus Ensemble, Parnassus and the S.E.M. Ensemble. She appeared in a featured role in the U.S. premiere of Pascal Dusapin's To Be Sung, presented by L'opera Francais, and recently completed a tour of Europe and an engagement at the American Academy in Rome. In the oratorio and concert fields, she has appeared as soloist with the American Symphony Orchestra, the Riverside Symphony, The La Jolla Symphony, the Jupiter Symphony, the Bronx Arts Ensemble and Musica Sacra. She has also performed and toured with the acclaimed early music groups Pomerium and the Waverly Consort.  Ms. Farnum, whose background is in musical theater, made her Broadway debut in Riverdance, has starred in several Off-Broadway and regional productions, and has performed with the chorus of the Metropolitan Opera. She is featured on recordings of Deutsche Grammophon/Allegro, Koch International, Bis, New World, Albany, Centaur, North/South and Pro Organa; three of her recordings were nominated for Grammy awards. Upcoming recordings include works by Harold Meltzer and Andrew Violette.

Julia Spanja, mezzo-soprano, received her Bachelor's in Music Theatre performance from NYU's Steinhardt School of Performing Arts. Originally from Cincinnati, Ohio, as an undergr4aduate she performed in operas including: Camilla (Tullia), L'Enfant et les Sortileges (L'Enfant) and The Old Maid and The Thief (Miss Todd). In the department's production of Fiddler on the Roof she played Tzeitel.  She is one of the original members of the department's student run theatre group, "The Players Club", in which she acted as producer of the mainstage production of The Good Doctor.  After having completed her B.M. in Music Theatre Performance, she returned to the Steinhardt School to continue her graduate studies under the tutelage of voice professor Michael Ricciardone. She has been seen in the Educational Theatre production of 5X Wilder (Mrs. Hawkins). Recently, she has also performed in vocal performance program productions of the operas, Hansel and Gretel (Hansel) and Riders to the Sea (Mauryia) as well as the Cole Porter musical Tonight at 8:30 (Lily Pepper).
 

Gerard Powers, tenor,  has enjoyed enthusiastic acclaim from critics and audiences alike, commanding a fresh and exciting perspective on a wide range of operatic roles, throughout North America and Europe. Described by the New York Times as having a rich, virile, warm and ardent voice, Mr. Powers is also recognized for his strong acting skills, leading man looks and dynamic, energetic stage presence, whose excellent diction and artistic expressivity is recognized internationally.
Engagements during the 2007-2008 season will include debuts at San Franciso Opera as Prunier in La Rondine, and at the Bolshoi Opera as Don José in Carmen. Mr. Powers' engagements for the 2006-2007 season include Rodolfo in La Bohème in the Gala Concert at Florida Grand Opera; Pinkerton in Madama Butterfly with Boston Lyric Opera; the Gala Concert at New Orleans Opera; Pinkerton in Madama Butterfly at the Royal Albert Hall in London, and Richard Smythe in The End of the Affair by Jake Heggie for the Lyric Opera of Kansas City.
 
Robert Osborne, bass-baritone, has built an acclaimed career by advancing the unusual in both the standard and contemporary repertoire. He has sung over forty roles in operas from Bernstein to Weill, with companies in Paris, Berlin, New York, Houston, Santa Fe and Los Angeles. His concert career has taken him to Carnegie Hall, Lincoln Center, and the Metropolitan Museum of Art in New York, Royal Albert Hall in London, the Concertgebouw in Amsterdam, Victoria Hall in Singapore, the Gran Teatro in Havana, and Tchaikovsky Hall in Moscow where he has sung under such distinguished conductors as Bernstein, Ozawa, Spivakov, Tilson Thomas, John Williams and Russell Davies. He has appeared with the Tanglewood, Schleswig-Holstein, Nakamichi, USArts/Berlin, Aspen and Marlboro Festivals as well as on several celebrated telecasts for the BBC, PBS, Russian and European television. In the musical theatre repertoire, he has appeared in four City Center Encore! productions, in the Bernstein at 70! Gala from Tanglewood, and in the BAM Salutes Sondheim Gala. His recordings of operas include Meredith Monk’s Atlas, Viktor Ullmann’s The Emperor of Atlantis, Hindemith’s Hin und zuruck, Harry Partch’s The Wayward, and Stewart Wallace’s Kaballah. His solo recordings are Songs of Henry Cowell, Songs of Leo Sowerby, Songs of John Alden Carpenter, all on Albany, and Orchestral Songs of Shostakovich on Arabesque. Mr. Osborne holds a Doctorate of Musical Arts from Yale University and is on the faculty of Vassar College.